Session Information
29 SES 01 A, Arts Education and Museums
Paper Session
Contribution
In the Finnish basic education, art museums are important learning environments and partners in Visual Arts education for all. Both the school and the art museum strive to involve children as active learners and actors and develop their own working culture in this direction.
The Ateneum Art Museum in Helsinki city, as part of the Finnish National Gallery, has a very long tradition of cooperation with schools in Finland. Schoolchildren are a central target group. Therefore, the University of Helsinki, as a leading teacher education unit in Finland, has a long experience of cooperation with the Ateneum Art Museum in art education in primary teacher education.
With the support of the Ministry of Education and Culture in Finland, The Ateneum Art Museum expanded its regional accessibility and fostered children’s sense of participation by implementing an art learning programme ‘My Ateneum’ with online workshops. The programme name refers to values familiar to social justice art education. It celebrates the idea that the Ateneum Art Museum, as part of the Finnish National Gallery, belongs to all citizens in Finland. The aim of the programme was to bring the Ateneum Art Museum close to the child, to make it their own.
My Ateneum programme as a learning path consisted of five stages. The concept provided online art learning materials and ready-made lesson plans for primary teachers. Teachers could work with their students with those materials before and after two distance guidance sessions with the museum guide. Almost 400 classes and their teachers from different parts of Finland participated in My Ateneum programme.
This research paper examines students’ conceptions of art museums in primary school and art museum multimodal cooperation.The theoretical framework examines current theories and concepts of participation in school and art museum contexts. The study is part of a larger reserach project, which has published two peer-reviewed articles.
The study in hand focuses on the 5th–6th graders who participated in the Ateneum Art Museum's My Ateneum programme in 2021–22. After participating in the art learning programme, the students were asked for their feedback on the Ateneum Art Museum website. This online survey serves as data in this research.
Method
In the online survey, the students were asked to reflect on their conceptions of art museums by open questions such as What kind of art museum would you particularly enjoy visiting? What would you like to do in a museum? The students’ open responses (1294 in total) to the anonymous online survey on their conceptions of art museums were analysed using a phenomenographic research approach.
Expected Outcomes
According to the preliminary results, the students' reflections on art museums emphasised their own activity in their participation in the museum. Students described art museums as enjoyable if they can do a number of different things by themselves, in addition to making art. However, even though the students had just worked actively with digital collections and remote access in the art museum in a modern, multimodal way, enjoyable museum visits were described as very concrete things and activities on physical environments, happening in many cases in quite traditional ways by viewing and discussing on pieces of art. The qualitative analysis will be finalized during spring 2025, so more detailed results will be published at the conference. The results will be critically reflected in relation to theories of student participation in the school context and discussed in the light of current thinking on art museum pedagogy.
References
Bertacchini, E. & Morando, F. (2013). The future of museums in the digital age: New models for access to and use of digital collections. International Journal of Arts Management, 15(2), 60–72. Hein, G. & McCray, K. (2020). Museum education. Oxford Bibliographies. New York: Oxford University Press. https://doi.org/10.1093/obo/9780199766567-0247 Huusko, M. & Paloniemi, S. (2006). Fenomenografia laadullisena tutkimussuuntauksena kasvatustieteissä. Kasvatus, 37(2), 162–173. Jalkanen, M. & Yli-Tepsa, I. (2022). Mun Ateneum -hanke. Teoksessa M. Jalkanen & I. Yli-Tepsa (Toim.), Mun Ateneum. Osallistavan etäopetuksen käsikirja museoille ja muille kulttuurilaitoksille (s. 7–10). Ateneumin julkaisut nro 156. Premedia Helsinki. Kairavuori, S. & Niinistö, H. (2024). Monimuotoinen taidemuseoyhteistyö alakoulun kuvataideopetuksessa Luokanopettajien käsityksiä oppilaidensa osallisuudesta Mun Ateneum –ohjelman etämuseopajoissa. Teoksessa C. Hilli & N. Mård (Toim.), Crossing over subject boundaries towards new horizons: Recent trends in research on crosscurricular teaching from the Nofa 9 conference (s. 32–65). Ainedidaktisia tutkimuksia 25. Suomen ainedidaktinen tutkimusseura. https://doi.org/10.23988/sats.1009.c1401 Kiilakoski, T., & Tervahartiala, M. (2015). Taiteen osallisuus, osallisuuden taide – Tulkintoja taidelähtöisten menetelmien käytöstä koulussa. Sosiaalipedagogiikka, 16, 31–67. https://doi.org/10.30675/sa.122645 Niemi, R., Kumpulainen, K., & Lipponen, L. (2018). Osallistumista vai osallistamista? Osallisuuden tarkastelua monialaisen oppimiskokonaisuuden toteuttamisessa. Nuorisotutkimus, 36(1), 22–35. Marton, F. (1981). Phenomenography – describing conceptions of the world around us. Instructional Science, 10(2), 177–200. https://doi.org/10.1007/BF00132516 Marton, F. (1986). Phenomenography – A research approach to investigating different understandings of reality. Journal of Thought, 21(3), 28–49. Schaaf, H. (2022). The meaning of participation. Detecting the space for inclusive strategies in the Finnish and German museum context [doctoral thesis, University of Lappland]. Acta electronica Universitatis Lapponiensis, 344. https://urn.fi/URN:ISBN:978-952-337-328-0 Thomas, N. (2007). Towards a theory of children’s participation. International Journal of Children’s Rights 15(2), 199–218. https://doi.org/10.1163/092755607X206489
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