Main Content
Session Information
29 SES 13, Music Education and Change
Paper Session
Contribution
Children have become an increasingly important audience for art museums around the world. Whilst many institutions offer programmes for young audiences, pedagogical approaches differ significantly across the sector. Debates of how, as opposed to simply why curatorial practices with and for children are being produced are now a significant issue for learning curators, artists and art museum teams. This paper reports on an action research project that asked, ‘how could pedagogical documentation be used as a mode of curatorial inquiry when producing learning experiences with and for children in art museums?’
Pedagogical documentation is a critically reflective process used to produce emergent curriculum in early childhood education settings. Made well-known by the educators of Reggio Emilia, pedagogical documentation can be considered a complex and open-ended process that supports educators in continuously reconsidering their assumptions, beliefs and practices towards children (Cagliari et al., 2016; Edwards, Gandini, & Forman, 1993; Rinaldi, 2001). This inquiry-led process opens possibilities for people to debate, reconsider and complexify practices through constructing contingent and alternate pedagogies that emerge from within a specific practice context. Pedagogical documentation therefore has the capacity to supporting the development of thinking that shift from a singular, universal paradigm of ‘best practice’ towards the emergence of practices and discourses premised on uncertainty, contextuality, subjectivity and difference. Lenz Taguchi (2008) describes this as an ‘ethics of resistance.’ Whilst artists, curators and conservators are often accustomed to documenting explorations of creative ideas, techniques and processes, pedagogical documentation differentiates from this in its ability to act as a tool for learning, change and inquiry.
This research discusses the results of a doctoral research project run in partnership with the learning departments at The Whitworth Art Gallery and Tate in the United Kingdom. The inquiry employed an action-research methodology comprising of two continuous cycles of inquiry. Pedagogical documentation formed the ‘action’ of the action research in these. The first stage of research explored pedagogical documentation as a mode of curatorial inquiry in relation to social constructivist learning theory (Mallory & New, 1994; Rogoff, 1990; Rogoff, 1995; Vygotsky, 1978). This was then expanded upon in the second stage of research to consider an agential realist approach to pedagogical documentation as curatorial inquiry in art museums (Barad, 2003, 2007; Braidotti, 1994). This presentation will use documentation produced as part of the action research to illustrate the argument and share how the art museum team’s thinking and practices was supported, challenged and extended upon through the inquiry-led documenting process.
In this paper, results from the action research cycles are used to evidence that argument that the affective possibilities of both social constructivism and agential realism allowed for the production of pedagogies that were emergent in their construction. These allowed for the art museum leaning teams to debate and re-consider the ethical, political, entomological and epistemological assumptions that shape curatorial practices in the art
Method
The research draws on extensive observations generated over a 12-month timeframe including photographic records, video footage, artist interviews and meeting transcripts with artists, curators, children and their families. Critical participatory action research (Kemmis, McTaggart, & Nixon, 2014) was used to guide the inquiry through its iterative cycles of planning, acting, reflecting and change. Each action research cycle aimed to extend, challenge and complexify how pedagogical documentation could be used as a mode of curatorial inquiry. This methodology allowed me, the researcher, to work as part of a community of practice that was committed to the investigation of the research objective. Through this, a strong relationship to form between theory and practice within a specific context. Continuous observations and changes could then be made to the curatorial process in response to the emergent outcomes of the inquiry whilst it was occurring. Pedagogical documentation was simultaneously modified throughout each stage of action cycle whilst also being used to analyse the components of the gallery activities. Through this, shared analysis and discussion before, during and after each children’s learning activity was used to generate results and investigate the research objectives.
Expected Outcomes
Key results suggest that pedagogical documentation can be used as a mode of curatorial inquiry and used to record a wide array of children’s and family’s experiences in art museums. These observations can then be used to generate collaborative critical reflection to inform future trajectories for curatorial decision-making involving children. This can also be used to support the emergence of alternate pedagogies that are produced from within a specific social, political, cultural and temporal context. The exploration of social constructivism and agential realism in relation to pedagogical documenting as a curatorial inquiry allowed for an expanded unit of analysis from human-mediated activity towards the affective capacities of human and non-humanous intra-action in galleries. This then allows for practices to become more complex, for that complexity to be made visible and therefore open to interpretation from others. Results also suggest that an agential realist framing to thinking pedagogically through the process of documenting allowed the action-research team to consider the emergence of learning, knowledge and culture from multiple foci and events in art museums. This encouraged critical thinking that continuously challenged fixed standpoints, encouraging more ethical and socially just practices. Pedagogical documentation can therefore be used as a mode of curatorial inquiry that support a shift towards more inclusive practices that consider and debate the assumptions, structures, ethics, contradictions, discourses and practices relating to children’s right to participate in the formation of the activities, beliefs and spaces that shape their lives (UNCRC, 1989).
References
Barad, K. (2003). Posthumanist performativity: Toward an understanding of how matter comes to matter. Signs, 28(3), 801-831. Barad, K. (2007). Meeting the universe halfway: Quantum physics and the entanglement of matter and meaning. Signs, 28(3), 801-831. Braidotti, R. (1994). Nomadic subjects. Chichester: Columbia University Press. Cagliari, P., Castagnetti, M., Giudici, C., Rinaldi, C., Vecchi, V., & Moss, P. (2016). Loris Malaguzzi and the schools of Reggio Emilia: A selection of writings and speeches 1945–1993. (J. McCall, Trans.). London: Routledge Contesting Early Childhood Series. Edwards, C., Gandini, L., & Forman, G. (1993). The hundred languages of children: The Reggio Emilia approach to early childhood education Norwood, N.J.: Ablex Pub. Corp. Kemmis, S., McTaggart, R., & Nixon, R. (2014). The action research planner: Doing critical participatory action research. London: Springer. Lenz-Taguchi, H. (2008). An "ethics" of resistance challenges taken-for-granted ideas in Swedish early childhood education. International Journal of Education Research, 47(5), 270-282. Mallory, B., & New, R. (1994). Social constructivist theory and principles of inclusion: Challenges of early childhood special education. The Journal of Special Education, 28(3), 322-337. Rinaldi, C. (2001). Making learning visible: Children as individual and group learners. Reggio Emilia, Italy: Reggio Children & Harvard Project Zero Rogoff, B. (1990). Apprenticeship in thinking: Cognitive development in social context. New York: Oxford University Press. Rogoff, B. (1995). Observing sociocultural activity on three planes: participatory appropriation, guided participation, and apprenticeship. In J. V. Wertsch, P. d. Rio, & A. Alvarez (Eds.), Sociocultural Studies of Mind (pp. 139-164). Cambridge: Cambridge University Press. UNCRC. (1989). United Nations Convention on the Rights of the Child. New York. Vygotsky, L. (1978). Mind in society. Cambridge, Mass.: Harvard University Press.
Programme by Network 2019
00. Central Events (Keynotes, EERA-Panel, EERJ Round Table, Invited Sessions)
Network 1. Continuing Professional Development: Learning for Individuals, Leaders, and Organisations
Network 2. Vocational Education and Training (VETNET)
Network 3. Curriculum Innovation
Network 4. Inclusive Education
Network 5. Children and Youth at Risk and Urban Education
Network 6. Open Learning: Media, Environments and Cultures
Network 7. Social Justice and Intercultural Education
Network 8. Research on Health Education
Network 9. Assessment, Evaluation, Testing and Measurement
Network 10. Teacher Education Research
Network 11. Educational Effectiveness and Quality Assurance
Network 12. LISnet - Library and Information Science Network
Network 13. Philosophy of Education
Network 14. Communities, Families and Schooling in Educational Research
Network 15. Research Partnerships in Education
Network 16. ICT in Education and Training
Network 17. Histories of Education
Network 18. Research in Sport Pedagogy
Network 19. Ethnography
Network 20. Research in Innovative Intercultural Learning Environments
Network 22. Research in Higher Education
Network 23. Policy Studies and Politics of Education
Network 24. Mathematics Education Research
Network 25. Research on Children's Rights in Education
Network 26. Educational Leadership
Network 27. Didactics – Learning and Teaching
Network 28. Sociologies of Education
Network 29. Reserach on Arts Education
Network 30. Research on Environmental und Sustainability Education
Network 31. Research on Language and Education (LEd)
Network 32. Organizational Education
The programme is updated regularly (each day in the morning)
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