Starting point and research questions
The educational transfer is one of the most important areas of research in Comparative and International Education. Reference Societies, as one of the most essential concepts in the discussion on educational transfer, refer usually to “the model nation from which to borrow element” (e.g. Bendix, 1978; Schriewer, 1992). Following this definition, the existing research has focused almost exclusively on the positive type of reference societies, which work as desirable models indicating an accepting attitude toward the referring context, for example, Finnish schools in German media perception of PISA (Takayama et al., 2013).
Since the “PISA-Shock” after PISA 2000 (Waldow, 2009), the German media has been continually conducting reflections on their own school reforms, often along with searching for external examples for local contexts. In this process, Shanghai, as well as B-S-J-Z (Mainland China), has been one of the most hotly debated objects. An interesting phenomenon is that in spite of the same top – sometimes even better – performance as Finland in PISA, Mainland China was represented mostly as a negative reference society for German school reforms (Waldow et al., 2014). In opposition to the positive ones, negative reference societies play a purported role as “anti-model”, from which any kind of borrowing is rejected.
To this phenomenon, there are already several explanations provided by existing studies through the lens of cognitive dissonance theory (Cooper, 2011) as well as the country-of-origin effects based on national stereotypes (Waldow, 2017). However, this research work will shift the perspective of analysis to post-colonial theory, placing focus on the question: To what extent does this negative projection of China in German Media discourse relate to the legacy of the colonialized constitution of the relationship between Europa and Asia?
Theoretical framework
Stemming from the study of Orientalism (Said, 1978), the post-colonial theory encompasses diverse perspectives to understand the image constitution of reference societies in local contexts.
In the long historical process of worldwide expansion by Europeans, a dominant discourse of dichotomy came into space, which focused on the extent of modernity (Hall, 2018). Accordingly, the “Orient” was constructed as an exact counter-image of Europe, namely as “the other” of the West. The resulting binary system of representation is embedded in a stereotypical regime in which the “Orient” was designed as feminine, irrational, and primitive in contrast to the masculine, rational, and progressive West (Duara, 1996; Castro Varela & Dhawan, 2020).
However, both in history and in the actual circumstances, the prevailing representation of the “Orient” in the Western discourse is imaginary (Said, 1978; Hall, 2018). First of all, the “Orient” representing the geographical east of Europe was often reduced to a homogenous unity, regardless of the distinct differences among oriental cultures (Wang, 2011). Secondly, the understanding of the appearances in contemporary post-colonial regions is still framed by their primitive roots, often in the form of religion, for example, Islamism in Near East and Confucianism in East Asia. Last but not the least, the Western representations of the East were by no means straightforward, but often characterized by a deep “ambivalence” (Bhabha, 2014): The "Orient" has experienced contempt and inferiority on one hand, and attraction and anxiety on the other.