Modern art in pre-school and early-school education: why it is needed and why it is (still) missing?
Author(s):
Conference:
ECER 2010
Format:
Paper

Session Information

27 SES 09 A, Learning and Teaching Arts at Primary School

Paper Session

Time:
2010-08-27
08:30-10:00
Room:
M.B. SALI 10, Päärakennus / Main Building
Chair:
Yolande Muschamp

Contribution

The research was stimulated by a similar study taken in 2009 with general teachers, participants of continuing professional development in primary school education at the University of Ljubljana, Faculty of Education (Podobnik 2009). It showed that 20th century art with stylistic diverse modernism and remarkably subjective postmodernism is rather unknown and strange to them and this can be seen in the way they evaluate children’s artwork, plan art lessons and perform teaching. The findings of the present research of the 20th century art perception, carried out within pre-school teachers and primary school general teachers, show similar results. Analysis of the exposed groups´ characteristics demonstrated the lack of expertise in the field of visual arts even though including modern arts has the potential of making qualitative superstructure of art lessons at all early education periods. As some current teaching practices, which emphasize the role of arts (e.g. Reggio Emilia) show, this seems to be topical problem in art education. Modern arts has significant privilege of all different art contents demonstration and represents an excellent starting point for planning and exposing diverse art tasks in a more challenging way (Mittler, Ragans 1992; Matthews 2003; Vecchi, Giudici 2004; Danvers 2006; Marriner 2006; Clayson 2008), however, it is still poorly used in Slovenian pre-school and early-school art education. The paper brings together considerations about the main reasons for the current state by giving main reasons for negative attitude towards modern arts: the focus on the recognition of particular art image, the strive for image’s adornment, and the lack of understanding that form and contents of the modern image make an inseparable wholeness. The results also imply the effects of many teachers’ negative perception of modern arts in art teaching: art motives’ repetition, unoriginal art techniques, non-flexible application of different visual art principles and, consequently, unimaginative and unexciting visual art lessons. But as we found out most teachers respect art variety and seem to endeavor for art originality; however they somehow do not know how to get to it. Therefore enjoying or at least knowing the modern arts could give them some new perspectives. 

Method

The research was done using teachers’ personal teaching preparation work and a questionnaire referring to modern arts perception. In order to search for the main reasons of pre-school and general teachers’ attitude towards modern arts we used the factor analysis. We exposed the essential factors and extracted the variations between exposed variables, and thus made a factor descript of particular researching field. Throughout interpretation of the results the descriptive analysis was used as well. There were 88 respondents involved in the research (45 pre-school teachers and 43 general teachers). There was mainly female population involved (only 2 male), which corresponds to a gender profile in Slovenian early school education. All respondents were employed in preschools or primary schools for at least 5 and maximum 17 years.

Expected Outcomes

Since continuing professional development of general teachers and full-time general teaching education differ in scope, we used the stimulating results of the first study (Podobnik 2009) merely to develop new teaching strategies with teachers for using modern art in pre-school and early-school education. We hoped that participants of the continuing professional development in primary school education would better understand the benefits of using modern art in visual art lessons and consequently implement the newly gained knowledge about modern-art-based teaching strategies in practice. The research is due in June and we therefore cannot give specific outcomes yet, however, the first results show considerable positive change. Most personal teaching preparation work, which teachers made at the end of the course, show that they implemented some issues of modern art into their teaching practice (choosing or making demonstrative materials, using unusual art materials, techniques and attractive art motives, planning visits to art galleries etc).

References

Atkinson, D., Dash, P. (2005). Social and Critical Practices in Art Education. Trentham Books, Staffordshire. Bocola, S. (1999). The Art of Modernism. Art, Culture and Society from Goya to the Present Day. Prestel Verlag, Munich, London, New York. Clayson, J.E. (2008). Radical bricolage: building coherence in the liberal arts using art modeling and language. Mason, R. (ed.) International Journal of Education through Art. Vol. 4, No. 2. Intellect, Ltd. Danvers, J. (2006). The Knowing Body: Art as an Integrative System of Knowledge. Hardy, T. (ed.) Art Education in a Postmodern World. Intellect, Bristol. Jackson, N., Oliver, M., Shaw M., Wisdom, J. (2006). Developing Creativity in Higher Education; an imaginative curriculum. Routledge, London. Matthews, J. (2003). Drawing and Painting; Children and Visual Representation. Paul Chapman Publishing, SAGE Publications Inc, London. Marriner, R. (2006). On Sampling the Pleasures of Visual Culture: Postmodernism and Art Education. Hardy, T. (ed.) Art Education in a Postmodern World. Intellect, Bristol. Mittler, G., Ragans, R. (1992). Understanding Art. Glencoe, MacMillian/McGraw-Hill, Lake Forest, Mission Hills, Peoria, Columbus. Podobnik, U. (2009). Perception of modern art and evaluation of children's art products in the primary school : paper presented at the European Conference on Educational Research, University of Vienna, 28-30 September 2009. British education index; http://www.leeds.ac.uk/bei Vecchi, V., Giudici, C. (ur.) 2004. Children, Art, Artists. The expressive languages of children, the artistic language of Alberto Burri. Reggio Children, Reggio Emilia.

Author Information

University of Ljubljana Faculty of Education Ljubljana
Visual Arts Department
Ljubljana

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