Research in Arts Education and the University in Ruins: the replacement of excellence by the sensible in the intercultural territory.
Author(s):
Tiago Assis (presenting / submitting) José Carlos Paiva (presenting)
Conference:
ECER 2014
Format:
Paper

Session Information

29 SES 12 B, Arts, Development and Communities

Paper Session

Time:
2014-09-05
09:00-10:30
Room:
B111 Sala de Aulas
Chair:
Sílvia Simoes

Contribution

There is, from the beginning and ever more strongly, an opposition between the idea of the University and the local community. There is also a permanent conflict between the school and the idea of artistic practice. In this project we demonstrate that these oppositions and conflicts can be reset from an intercultural action.

The two authors are part of Identidades [Identities] — intercultural movement, a collective that promotes human relationships between Mozambique, Brazil, Cape Verde and Portugal. In this “movement”, intercultural laboratories emerge in which experiences centered on cultural and artistic practices are shared, using various technologies, from the most ancient to the most recent. Artists, art students and teachers, schools, and real communities are involved in practices ranging from ceramics to web publishing. This involvement evokes new ethical, theoretical, and instrumental questions.
It was from the practices of this movement that many of its members have become researchers. They formed a collective of informal research and, simultaneously, took the investigation in the 'formal' research centers. They assume the contradictions and subvert research practices rescuing the meaning, increasingly abandoned, of the human.

We find ourselves suspending our European and ethnocentric identities when confronted with the communities fighting for the recognition of their culture, for better living conditions, and whose activities are rooted in resistance and in the struggle for their identity. In the displacement to these contexts, as artists and researchers, we feel the discontentment with our own art and society, even of a post-colonial world which, most of the times, interferes with the communities in a colonial manner; the same world that promotes globalization, resigning these communities to oblivion.

The debate and research on these issues is closed in pretentious universalism and blocks the participation of excluded communities in this field and in its confrontation. It is here that, for us, returns the problem of liberation in the sense of opening a discussion and of including these communities, through a platform of poetic translation that allows its presence in the clarification of an urgent agonistic pluralism.

We try to bring inside the University what is out of it. We also seek, within the critical framework of the University itself, taking for example the concept of University of Excellence, to replace the empty void of excellence for thought (Readings, 1996). But add, or refund, the plan of the sensible.

Method

We learn new methods such as the CCK (confidence, complicity and knowledge), methods that emanate from the processes, while we maintain the conflicts. Methods that cannot be doctrines because they only make sense in the actions in which we are involved. They have no use for anyone else and are as ephemeral as our movement. Our work is empirical and the methodology starts and ends in the work itself.

Expected Outcomes

There is this perfect storm of Excellence, the eternal wave flags of science, progress and technology aligned with the discourse of neoliberal globalization. In political terms we clearly assume that we struggle against these winds from a science that details itself and is not interested in the unknown. We know that these are the same winds that blowed away from what we want to rescue. The laboratory research in art, on the ground of interculturality, is a laboratory where all exact and inexact sciences are rooted in the humanities.

References

Agamben, Giorgio. Profanations. Translated by Jeff Fort. New York: Zone Books, 2007. ———. The Coming Community. Minneapolis, Minn., [etc.]: University of Minnesota Press, 1993. ———. The Open: Man and Animal. Stanford, Calif.: Stanford University Press, 2004. ———. What Is an Apparatus?: And Other Essays. Stanford, Calif.: Stanford University Press, 2009. ———. Infancy and History: The Destruction of Experience. Translated by Liz Heron. London: Verso, 1993. Benjamin, Walter. One-way street and other writings. London; New York: Penguin, 2009. Blanchot, Maurice. The Unavowable Community. Barrytown, N.Y: Station Hill, 1988. Foucault, Michel. Discipline and Punish: The Birth of the Prison. New York: Vintage Books, 1995. ———.‘What is an Author?’. In Writing, no. 73, 299-314. Ithaca: Cornell University Press, 1969. Freire, Paulo. Pedagogy of the Oppressed. London: Penguin Books, 1993. Kant, Immanuel, and Mary J Gregor. The conflict of the faculties = Der Streit der Fakultäten. Lincoln: University of Nebraska Press, 1992. Lyotard, Jean Francois. The Postmodern Condition. Minneapolis: University of Minnesota Press, 1992. Nancy, Jean-Luc. The Inoperative Community. Minneapolis, Minn: University of Minnesota Press, 2008. Rancière, Jacques. The Emancipated Spectator. Verso, London, 2009. ———. The Ignorant Schoolmaster: Five Lessons in Intellectual Emancipation. Stanford University Press, Stanford, 1991. Readings, Bill. The University in Ruins. Cambridge, Mass. [u.a.: Harvard Univ. Press, 1996. Schiller, Friedrich, and Reginald Snell. On the aesthetic education of man. Mineola, N.Y.: Dover Publications, 2004.

Author Information

Tiago Assis (presenting / submitting)
i2ADS, School of Fine Arts, University of Porto.
José Carlos Paiva (presenting)
i2ADS - instituto de investigação em arte, design e sociedade - FBAUP
Arts Education
Porto

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