Studying The Construction Of Corporeality In The Educational Process From Student Voice And Non-Hegemonic Narratives.
Author(s):
Sara Victoria Carrasco Segovia (presenting / submitting)
Conference:
ECER 2015
Format:
Paper

Session Information

ERG SES G 04, Arts and Education

Paper Session

Time:
2015-09-08
09:00-10:30
Room:
307. [Main]
Chair:
Meinert Arnd Meyer

Contribution

This work (in progress) is part of my doctoral research, which is based on studying how a group of pedagogy students in visual arts build their corporealities and performance actions, through different educational practices and speeches used in their formative process.

My interest is toward the university context where still now, we can find  patriarchal and academician features that could be offering privileged conceptions of the body and/or predetermined prototypes. Revealing that even now in the 21st century, the presence of the body appears very relegated within discourses and educational curriculums “structuring the learning and analysis processes in abstract, as if entering of the world of knowledge had as a condition to deny the body” (Pérez, 1993: 205).

The body could play a key role in education and in the knowledge construction if the pedagogical practices were understood as corporal experiences and as a performative acts that are never the same, which are constantly moving, are dynamic, and not predetermined (Ellsworth, 2011). The feminists methodological frameworks reveals others ways of understanding the formal pedagogy and conceptions of the body away the traditional ideas. Such as, ideas concerning to understand the construction of knowledge and learning as a process that is set in relation and where the pedagogical relationships are built as unsubordinated acts (Acaso, 2011; Ellsworth, 2005, 2011; Gore, 1996; Luke, 1999).

Some of the pedagogical practices that are taking place within formal education and that are often kept invisible acting from their concealment and the naturalization, could be bringing the student’ bodies under different techniques of vigilance, normalization, classification, and/or totalisation (Gore, 2000), to thereby keep control and dominance over the subjects. At the same time, many of these pedagogical practices may be causing -consciously or unconsciously-, the muting of the body by leaving out the incorporation of movement, touch, experiences and emotions, furthermore, the study, reflective analysis and the consciousness of our body, and the many possibilities it can give to education and pedagogical practices.

This is why one of the multiple challenges posed by current education, both for teachers and researchers, is the fact that it is necessary to evidence the multiple implications that may be generating an endless number of practices and naturalised discourses within traditional educational institutions. For this, the act of opening spaces for voice to the students (Fielding and Rudduck, 2002) and work from a shared experience and research with students, can not only open spaces to learn together, construct new meanings, know and recognize us in the other, but it can also highlight the practices that may be acting from the concealment through micro stories. Increasing the role of students in their educational process and the management of their corporal projects.

This study seeks to open spaces to think and (re)build learning territories, where I am proposing others ways of understanding pedagogical practices and knowledge construction. Based on the importance of accepting and respecting our subjectivities in the educational process and establishing descolonizing relationships (that adapt to the new requirements of both students and teachers) I restore the position of the body in a protagonist role within formal education and pedagogical practices.

Method

For the development of this research, I decided to do a collective case study (Stake, 1995), to understand through particular cases the problem and the conditions that are currently affecting the selected cases and also many other teachers in their formation process. This case study was attended by eight university students (5 women and 3 men between 20-27 years old) from the degree in Pedagogy in visual arts, where each one of them acted as a way to respond to the problem of training of visual arts teachers and the role of the body into this training. This required the identification of both the common and the particular reality of each case, considering their story and taking into account their social, cultural, political, religious and socio-economic contexts. However, I do not intended to obtain or maintain any kind of representation with respect to these cases, because the research is focused on the little narratives of each student. The data collection strategies were: field diary, direct observation, developmental interviews, focus group, gather of bibliographic information. All these strategies were focused on rescuing the subjectivity, paying attention to the singular constructions of each student, to enable the understanding of the kinds of meanings that are constructed as a result and how these are constructed through the experience of each one of the persons in the study. When the experiences of the students becomes a key role in the research, the student achieves a starring role within it, and through this way, his relationship with the world and interpretation of it can be rescued, as well as his/her activity (both within and outside the university). Through this methodological route it has been possible to analyze the educational processes in relation to the actors and the sociocultural context where these practices are taking place, making it possible to discover what is going on daily within the educational process, through the unveiling of the actions that are occurring (both inside and outside the classroom) as well as to register the explicit and implicit things. This research seeks to speak about what is not usually spoken about in formal educational institutions, to express what usually is not expressed because of fear, making visible the invisible in the educational relationships and pedagogical practices that are forming these future teachers of visual arts. I am interest in explore what is not easily explorable because it is concealed.

Expected Outcomes

The formal education has been constituted as a builder of normative bodies through countless control practices, standardisation and heteronormativity that are still invisible both at schools and universities. As such it is important to know, understand, and interpret the complex phenomenon that appears around the topic of the body in education from the university students perspective, to then understand in which way these future art teachers focus on building their corporeity and performing actions from the speeches and practices that are fundamental part of their formation process. Within a research project that studies the role played by the body into education, there are some thoughts that seem to me essential to be rescued. The first one is that the body is never natural but it is constructed socially, culturally and politically; second, that the body can be a place of discrimination and submission in education but also of resistance; third, understand that education has a unresolved character and that all knowledge is constructed in relation with others subject, which can help us to provide the necessary tools for students to construct their own personal projects; and fourth, that the fact of conceiving the body within education and the teaching practices as a possibility rather than a problem, can open up new areas of learning where the relationship between teacher and student are not based on subordinate dependencies. Finally, I believe it is essential to note that educational practices could act as a type of intervention if our role as teachers focuses in preparing our students to live in society as agents of change. For this reason, it is imperative that we articulate the educative research through the personal, professional and political dimensions.

References

Acaso, M., Ellsworth, E. (2011). El aprendizaje de lo inesperado. Madrid: Ediciones Catarata. Ellsworth, E. (2005). Posiciones de la enseñanza. Diferencia, pedagogía y el poder de la direccionalidad. Madrid: Ediciones Akal. Fielding, M. & Rudduck, J. (2002, septiembre). The transformative potential of student voice: confronting the power issues. Work presented at the annual conference BERA, Inglaterra, UK. Recovered from http://www.learningtolearn.sa.edu.au/tfel/pages/library. Gore, J. (1996). Controversias entre las pedagogías. Discursos críticos y feministas como regímenes de verdad. Madrid: Ediciones Morata. Gore, J. (2000). “Disciplinar los cuerpos: sobre la continuidad de las relaciones de poder en pedagogía”, In Popkewitz, T. & Brennan, M. (Comp.): El desafío de Foucault. Discurso, conocimiento y poder en la educación. Barcelona: Pomares- Corredor, pp. 228-249. Luke, C. (Comp.). (1999). Feminismos y pedagogías en la vida cotidiana. (P. Manzano, Trad.). Madrid: Ediciones Morata. (Trabajo original publicado 1993). Pérez, F. (2003). Habitar el cuerpo. Educación y Género: Una propuesta pedagógica. (pp.203-209). Chile: Ediciones Morada/Ministerio de Educación. Stake, R. (1995) The Art of Case Study. London: Sage.

Author Information

Sara Victoria Carrasco Segovia (presenting / submitting)
Universidad de Barcelona
Santiago

Update Modus of this Database

The current conference programme can be browsed in the conference management system (conftool) and, closer to the conference, in the conference app.
This database will be updated with the conference data after ECER. 

Search the ECER Programme

  • Search for keywords and phrases in "Text Search"
  • Restrict in which part of the abstracts to search in "Where to search"
  • Search for authors and in the respective field.
  • For planning your conference attendance, please use the conference app, which will be issued some weeks before the conference and the conference agenda provided in conftool.
  • If you are a session chair, best look up your chairing duties in the conference system (Conftool) or the app.