Session Information
29 SES 04, The problematics of research in the arts
Paper Session
Contribution
Today, digital technology is present in schools and universities; eBooks, interactive blackboards, tablets or notebooks are now commonplace in Europe’s classrooms. However, when using this technology, students are typically positioned as consumers. In an effort to change this tendency, our project draws on DIY culture, encouraging students to become producers of digital objects. We believe that students and educational institutions need to foster learning experiences that support learners' critical capacity. This is not a goal that can be achieved by using only one platform or tool. Instead, true digital competence means using available devices with pedagogical approaches that connect with youth culture (Buckingham, 2007) – and which are therefore applicable – or transdisciplinary inquiry-based projects, which guide young people to grow into active and thoughtful learners.
The communication focuses on the development of the formation period of the European project “Do it yourself in Education: expanding digital competence to foster student agency and collaborative learning (DIYLab)” (543177-LLP-1-2013-1-ES-KA3MP). The main objective of this project is to promote lifelong and life-wide learning by expanding students’ digital competence, agency, and creativity, by putting into practice DIY philosophies (Guzzetti, Elliott, & Welsch, 2010; Lankshear & Knobel, 2010).
The DIYLab project aims to develop a 'DIYHub' in each participating educational centre to promote student engagement in primary, secondary and higher education by proposing collaborative, meaningful and authentic learning experiences that can be sustainable and expandable after the end of the project. This practice will depend on the use and implementation of different technologies as tools (video editing software, mobile/flexible applications, html5-based services for learning, etc.), focused in one way on documenting students learning processes, and the dissemination and construction of a DIY community (Kafai & Peppler, 2011) in an open, on-line platform.
Initiated in January 2014, this project is carried out by researchers, primary and secondary schools, and universities in Spain, Finland and the Czech Republic. The first phase of this project entailed working with focus groups (Stewart et al., 2007) of teachers, students and parents in order to understand what DIY practices are already in place in each participating context.
The second phase of the project, building on information received in the focus groups, entailed the formation of participating teachers in support of the upcoming implementation of the DIY Lab. The goal of the formation process was that all partners accompanied and participated in the formation process to produce a conceptual and technical approach for the implementation of a DIY Lab in each school.
The communication will discuss to what extent visual methods and documentation could be understood as an educational research process, during this second phase. To do so, we will approach to documentation and the use of visual methods to do qualitative research. We will explore the possibilities of visual methods used in the documenting process with the aim to find other manners of production of knowledge.
Method
Expected Outcomes
References
Ball, M. S. (1992). Analyzing visual data. Newbury Park (Calif.): Sage Banks, M. (2007). Using visual data in qualitative research. New York: Guilford Press. Buckingham, D. (2007). Beyond technology: Children’s learning in the age of digital culture. Cambridge: Polity. Emmison, M. (2000). Researching the visual : images, objects, contexts and interactions in social and cultural inquiry. London: SAGE Guzzetti, B. J., Elliott, K. & Welsch, D. (2010). DIY Media in the Classroom: New Literacies Across Content Areas. New York: Teachers’ College Press. Kafai, Y. & Peppler, K. (2011). Youth, Technology, and DIY: Developing Participatory Competencies in Creative Media Production. Review of Research in Education, 35, 89–119. Lankshear, C. & Knobel, M. (2010). New literacies: Everyday practices and social learning. Madrid: Morata. Leavy, P. (2009). Method meets art: arts-based research practice. New York: Guilford Press. Margolis, E. and Pauwels, L. (Eds.) (2011). The SAGE handbook of visual research methods. Los Angeles, Calif.: SAGE Pimenta, S. and Poovaiah, R. (2010). On Defining Visual Narratives. Design Thoughts, 1, 25-46. Retrieved 31 January 2015 from http://www.idc.iitb.ac.in/resources/dt-aug-2010/On%20Defining%20Visual%20Narratives.pdf Pink, S. (2001). Doing visual ethnography: images, media, and representation in research. London: Sage. Pink, S. (Ed.) (2007). Visual interventions : applied visual anthropology. New York : Berghahn. Pink, S.; Kürti, L. and Afonso, A. I. (Eds.) (2004). Working images : visual research and representation in ethnography. London: Routledge Ricart, M. (2004). Producir con los nuevos medios: una importante herramienta socioeducativa. Educación social: Revista de intervención socioeducativa, 28, 83-98. Sánchez de Serdio, A. (2004). Fuera de campo: la narrativa visual como paradigma epistemológico en la investigación en ciencias sociales. Comunicación presentada al I Congreso de Estudios Visuales. Madrid, 15 y 16 de febrero. Sánchez de Serdio, A. (2013). Visualidad, producción de conocimiento y pedagogía de la mirada. In Raimundo Martins and Irene Tourinho (eds.) Processos e Práticas de Pesquisa em Cultura Visual e Educação. Santa Maria: Editora da Universidade Federal de Santa Maria. (345-370) Spencer, S. (2011). Visual research methods in the social sciences. London: Routledge Stewart, D.W., Shamdasani, P.n., & Rook, D.W. (2007). Focus groups:Theory and practice, 2nd edition. Thousand Oaks, CA: Sage. Steyerl, H. (2003). Documentarism as Politics of Truth. EIPCP multilingual webjournal. Retrieved 31 January 2015 from http://eipcp.net/transversal/1003/steyerl2/en
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