Paintings and illuminated manuscripts as sources of History of Childhood - Conceptions of Childhood in the Renaissance
Author(s):
Orsolya Endrody-Nagy (presenting / submitting)
Conference:
ECER 2016
Format:
Paper

Session Information

17 SES 05, Theory & Methodology (Part 1)

Paper Session to be continued in 17 SES 06

Time:
2016-08-24
13:30-15:00
Room:
OB-H2.40
Chair:
Frank Simon

Contribution

History of Childhood refers to the theory including views on children, children’s lives, and child-rearing practices as well as environments and surroundings changing over time (from past to present). Paintings could help us to go through the interpretations of Childhood and the world of children. The research focuses on the interdisciplinary aspects, the methods of the analysis and the thematic aspects of the selected pictures.

To look into the Renaissance paintings, manuscripts, old-prints and wooden-block prints – using my iconographic method, we could see conceptions of the childhood of the Renaissance era. However children were much more vulnerable than today, they learned to live with this problem. Using microhistorical perspectives we could understand more several situations, and aspects of everyday life and mentality.

According to Colin Heywood there is a possible definition on childhood – it is an abstraction, referring to a particular stage of life, which changes over time and varies between social and ethnic groups within any society. Historians wish to recreate the day-to-day experiences of children in the past. This is the social history of children. (Heywood 2001) We must not compare present childhood conceptions to the past ones using the modern perspective. We have to accept the mentality of the time, e.g medical practices of the specific era. Sociologists James and Prout (James and Prout 1997) published their theory about childhood as a social construction. The new paradigm is potentially fruitful for historians. If we analyse paintings with iconographic methods we  can  see children as social actors. Paintings could help us to go through the interpretations of Childhood and the world of children.

To conclude this theoretical schema we could declare that the narrative of childhood can be seen in many different ways, we could have our specific conception of childhood. We can not state a global conception of childhood. (Szabolcs 2004)

The goals of the research:

1.To introduce possible visual analysing methods for qualitative research methodology. 2. To introduce new sources for History of Childhood and Education- such as old-prints, woodenblock-prints and illuminated manuscripts. 3. To understand Conceptions of Childhood within a special Era, Late Renaissance narratives about Childhood

Why we should consider part of the Late Renaissance  (1455-1517) as a possible  era of such research?

  • We wished to understand how the inventions of printing and the reformation affected the way of thinking about child rearing practices.
  • The importance of these decades in the Art History is also considered very high: Painters such as Mantegna or Dürer used special viewpont, analysed the human body, observed anatomy, applied golden section, used new colors, technics.
  • In the cristian canon the theories changed from Christ as a Human to a Child.
  • There is a gap in the secondary sources of History of Childhood regarding the following theoretics works: Shahar, Pollock, Alexandre-Bidon, Closson, Heywood, Cunningham, Németh, Szabolcs.
  • Some of the secondary sources end the Renaissance era in 1500. Is 1500 the Real starting point of the Modern History?

Method

„Images are helpful for what they tell us about educational situations, breaking the prevailing silence regarding the specific character of educational and child rearing processes, they also seek to convey an educative message in themselves.” (Depaepe, 15., 2000.) Social relations can be encoded in images – declares Kress and Leuween in Reading images. (Kress and Leuween 2006). Pictures have capacity to convey information that cannot be coded in any other way. (Nyíri, 2009) Sources can be any kind of document with the presence of a human being: written words, photos, artefacts and oral testimonies. Erwin Panofsky who published his theory about image analysis and influenced iconographical researches for decades declares the stages of the iconographical analysis in case of history of art. This iconographical analysis is based on three phases of the reception of an image. Iconographical analysis is dealing with images, instead of motifs. The acts of interpretation are the pre-iconographical description, the iconographical analyses, and the iconographical synthesis (deeper analyses). (Panofsky,3-33.,1972.) In order to understand the meaning of the painting for another discipline, such as history of childhood, we need to find another analysing process of images. There is a visual analysing method invented by a French researcher called Bouteaud (Bouteaud, 1989), and which method is focusing on the technical information of each picture. A serial visual anthropologic method invented by Collier (Collier, 2010) could be fruitful for researchers, who needs a comparison method of the pictures with similar topic. This presentation is an introduction of a possible analysing method based on these methods mentioned above. The topics of the pictures based on Heywoods’ paradigm about the thematic of the Renaissance Conceptions of Childhood: Child-birth, The life of the new-born babies, The mortality. It is followed by one more topic which was absent from heywood paradigm: The games/toys of Children. Sources analysed in the research: paintings, manuscripts, incunabulis (old-prints) wooden-block prints The most important museums and libraries where the research was being made: Bibliotheca Communale dell’ Archiginnasio, Bologna; Biblioteque Denis-Diderot, Lyon; Országos Széchényi Könyvtár, Budapest; Semmelweis Orvostörténeti Múzeum, Budapest; Library of Congress, Washington DC; Szépművészeti Múzeum, Budapest; Museu Nacional d’Art de Catalunya, Barcelona; Museo San Francesco, San Marino; Pinacoteca Nazionale, Bologna; Musee des Beux-Arts, Lyon; Nemzeti Galéria, Budapest; National Gallery, London; National Gallery of Art, Washington DC; Kunsthistorisches Museum, Wien; Albertina, Wien; Musée d’Imprimerie, Lyon.

Expected Outcomes

Using qualitative analysing methods such as semiotics, iconography, visual anthropology and visual sociology children can be seen as wondering, nosey, playful human beings in the Renaissance Era between 1455–1517 in Europe. Using microhistorical perspectives we could understand more several situations, and aspects of everyday life and mentality. The most interesting conclusions and tendencies are the following: The love of the mother towards their children contains the attitude of fear. The value of the life of the children is above the value of the mother’s life. They baptised their newborns as early as possible. Children’s games were as important as today or even more important. Breast-feeding is more important and more common regarding the pictures, than we expected. The most interesting topic is the swaddling-tight, which began disappearing from the pictures in the 1480’s years. It would be interesting to examine these traditions on a wider basis of visual sources focusing on the Northern or Southern part of Europe. Regarding the analyzed pictures, the children received more attention than their mothers. For example, while we have no evidence of the bathing traditions of the mothers, we could find a wide range of pictures of bathing children. The representation of Death could be grotesque, fatal and ludicrous, because of the powerlessness regarding the high ratio of mortality. In analyzing the pictures, children can be seen as a wondering, nosey, playful human beings.

References

Boutaud, Jean-Jacques (1989): Application des recherches en iconographie publicitaire á la pédagogie de l’expression en I.U.T, ANRT, Lille 3, France. Collier, Malcolm (2010): Approches to analysis in visual antropology, in. van Leeuwen, Theo – Jewitt, Carey (eds., 2010): Handbook of Visual Analysis, Sage, Los Angeles-London-New Delhi-Singapore-Washington, pp. 35-61. Cunningham, Hugh (2005). Children and Childhood in Western Society Since 1500, Pearson Education Limited, London. Hendrick, Harry (2000): The Child as a Social Actor in Historical Sources – Problems of Identification and Interpretation, in: Christianssen, P. – James, A.: Research with Children: Perspectives and Practices, Routledge Falmer, Taylor & Francis Group, Oxon, Great Britain. Heywood, Colin (2001): History Of Childhood, Blackwell Publishers Ltd., Malden, USA. James, A. – Prout, A. (szerk., 1997): Constructing an Reconstructing Childhood: Contemporary Issues in the Sociological Study of Childhood, Falmers Press, Taylor & Francis Group, London, Washington, D.C. Kress, Gunther and Leeuwen, Theo van: Reading Images, The Grammar of Visual Design, London and New York, Routledge, Taylor & Francis Group, 2006. Németh András – Pukánszky Béla (2004). A pedagógia problématörténete. Gondolat, Budapest. Peim, Nick (2005): Introduction: The Life of Signs in Visual History, in: Mietzner, Ulrike, Pollock, Linda (1983): Forgotten Children: Parent-child relations from 1500 to 1900, Cambridge University Press, Cambridge. Postman, Neil (1983): The Dissapearance of Childhood. W.H. Allen, London. Shorter, Edward (1976): The Making of the Modern Family, Collins, London. Smith, Ken – Moriarty, Sandra – Barbatsis, Gretchen – Kenney, Keith (eds., 2005): Handbook of Visual Communication, Theory, Methods and Media, Lawrence Erlbaum Associates, Publishers, Mahwah, New Jersey, London. Szabolcs Éva (2001): Kvalitatív kutatatási metodológia a pedagógiában, Műszaki kiadó, Budapest. Szabolcs Éva (2003): Gyermekkortörténet: új elméleti megfontolások, in: Pukáánszky Béla (2003, szerk.): Két évszázad gyermekei, Eötvös József könyvkiadó, 9-17. Szabolcs Éva (2004): „Narratívák” a gyermekkorról, Iskolakultúra, 3., pp.27-31.

Author Information

Orsolya Endrody-Nagy (presenting / submitting)
Eötvös Loránd University, Budapest
Faculty of Primary and Preschool Education
Budapest

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