Research questions, objectives, and theoretical framework
Scaffolding adolescent’s disciplinary literacy learning is important for quality and equity in education and an important target for teacher education (Kavanagh & Rainey, 2019, p. 905). To ensure that an increasingly diverse group of students develop disciplinary literacy, it is crucial that teacher candidates (TCs) learn how to scaffold students´ socialization into disciplinary literacy by making explicit what it means to engage in a given text in a given way (Shanahan & Shanahan, 2012, 2008; Blikstad-Balas, 2016). Accordingly, TCs must not only have a firm grasp of the content they are teaching, but also substantial knowledge of how to provide scaffolds by for instance teaching and modeling strategy use and coaching and providing feedback to students (Bransford, Darling-Hammond & LePage, 2005, p. 24-27). However, instructional scaffolding requires ambitious practices that need time and experience to be applied successfully, and research steadily finds that TCs will not learn ambitious teaching practices if this is left to field placements alone (Britzman, 2003). It is thus important that teacher education programs develop practice orientations to ensure that even the most novice teachers can support students’ disciplinary literacy learning (Kavanagh & Rainey, 2019).
As part of a longitudinal intervention study set within an integrated 5-year teacher education program at a Norwegian university, the present study aims at investigating how teacher candidates scaffold students’ disciplinary literacy learning during fieldwork in language arts, following a coursework intervention using video from authentic classrooms to represent and decompose teachers (Grossman, Hammerness, & McDonald, 2009) instructional scaffolding. Drawing on the growing body of practice-oriented teacher education research (Ball & Forzani, 2009; Grossman, et. al., 2009; Zeichner, 2012; Sun and Van Es, 2015), we conceptualized the vague and often inconsistently invoked notion of instructional scaffolding (van der Pol, Volman & Beishuizen, 2010; Brownfield & Wilkinson, 2018) as three instructional practices in line the Protocol for Language Arts Teaching Observation [PLATO] (Grossman, 2015); modeling and the use of models, strategy use and instruction, and feedback. Even though these are ambitious instructional practices, we consider them core practices that TCs can begin to master if provided with a shared conceptualization and a common professional language for discussing and decomposing video representations in coursework and for approximating instructional scaffolding themselves during fieldwork (Grossman et al., 2009; McDonald, Kazemi & Kavanagh, 2013).
Although strategy instruction, modeling, and feedback are generic practices that could – and probably should - be part of all subject teaching, we frame our study within a disciplinary literacy approach to teaching and learning (Shanahan & Shanahan, 2008, 2012, 2018). As literacy practices in language arts become increasingly more advanced and specialized in secondary and upper secondary schools, TCs must learn how to provide students with explicit and scaffolded teaching of sophisticated genres, specialized language conventions, disciplinary norms, and higher-level interpretive processes (Shanahan & Shanahan, 2008). At the same time, we acknowledge that language arts - at least in our Norwegian context – also has additional responsibility for students´ continuous development of generic literacy skills and that context-specific support for disciplinary literacy would require learners to deploy a variety of literacy practices (Collin, 2014), including generic literacy practices that are transferable to other subjects and everyday life (Hinchman & O´Brian, 2019). Against this backdrop, this study investigates (i) the extent to which teacher candidates enact strategy instruction, modeling, and feedback when teaching language arts during field practice and (ii) whether the scaffolds they provide are generic or specific to disciplinary literacy in language arts.