Television is a powerful media device and works not only as a store of desire and entertainment, but also as a great normative institution which reinforces conservative theses present in the social and cultural imaginary, because the communicators are human beings, always sexed and also fruits of a constant sexual miseducation in our society, reproducing many times, the same pattern and, institutionalizing the truths that are perpetuated from the statements inculcated by the expressions of normative institutions, just as are the media in their television productions (Vilaça et al., 2018). Television is a vehicle that has revolutionized communication, capable of arousing feelings and stimulating affection, anger, sadness and joy through images, narratives and sounds elaborated for this purpose, the messages sent by its programs are quick and easy to understand and conquer the viewer with a simple language that translates dynamism, reaching the subjective, presenting modes of conduct and spreading ideologies (Bucci, 1997; Costa, 2013). Fischer (2002) discusses this concept of media as a pedagogical device, based on Foucault's concept of a sexuality device and modes of subjectivation. Foucault's sexuality device consists of a relationship of forces between power and resistance forces that becomes a strategy of management and control of the body and ways of being, and control of populations (Foucault, 1999). Foucault (1984) associates sexuality with a historical device, constituted as a discursive-institutional creation, with the function of execution and control of individuals and populations. In his perspective, the estimation of bodies, the intensification of pleasures, the formation of knowledge, the controls and resistances are linked to each other according to the great strategies of 'knowing' and 'power' that act on bodies and populations and produce norms and ways of life. In this sense, the sexuality device can be established between what is said and not said including discourses, institutions, architectural organizations, regulatory decisions, laws, administrative measures, scientific, philosophical and moral statements and philanthropic propositions (Louro, 2003, 2008).
Therefore, this paper aims: 1) to characterize teachers' perceptions on the potentials of the topics developed in a workshop to plan, implement and evaluate a school sexuality education (SE) intervention using a soap opera as a pedagogical device; 2) to describe the type of SE interventions to be carried out.