The present paper deals with teacher education and more specifically courses in learning theories. The aim of the paper is to shed light on how to organize learning theory courses so that they contribute to teacher students’ creative abilities, for example to contribute with new and valuable solutions to problems (Runco & Jaeger, 2012) related to students’ learning, for example to how to optimize the learning environment for a diverse group of learners.
In our courses of learning theories at the university the students are acquainted with a diverse range of learning theories, spanning from “classical” theories such as behaviorism, cognitivism and socio cultural theory (Säljö, 2015) to more specific theories dealing with delimited phenomena such as motivation (Wery & Thomson, 2013). as well as empirical studies of learning in various contexts (Hattie & Yates, 2014). Thus, there are a diversity of theoretical constructs how to understand the phenomena of learning, that the students become acquainted with.
Some researchers propose that creativity is related to the ability to change perspective when looking at a situation (Yang and Hung, 2021). This is of interest in our learning theory courses because the students are trained to analyze learning situations with help of different learning theories, working as theoretical glasses, each with a certain perspective in focus. Therefor it is possible to argue that being acquainted with several learning theories could help develop teacher students’ creativity.
On the other hand, it is possible to argue that the diversity of learning theories could be confusing to the student, which could counteract their development of creativity. According to Säljö (2009), the knowledge base on learning has gradually become more and more diverse and complex over time, providing different perspectives how to understand learning. However, Alexander, Schallert and Reynolds (2009) argue that the multitude of vantage points are incommensurate in some cases which could present barriers for progress of our understanding of learning. It is here of interest if such inconsistencies also may hamper the ability for students to use the theories to shift perspective to generate creative solutions to learning problems. In a previous study of musical creativity, Hagerman (2016) found that imposing limitations on a problem could actually open doors for creativity rather than close them, for example deciding to explore several possibilities within one particular style, rather than mixing several styles and exploring fewer possibilities in each style. An analogue to this when working with learning theories could be to decide to explore one learning theory in depth rather than working with several theories with a more shallow understanding.
Here lies an interesting question of how to balance diverse and specialized knowledge in a university course of learning theories. On one hand, there exist many different learning theories, and if the students learn all of these theories one could argue that they will be well equipped to change perspective and generate creative solutions to learning problems in their teaching. On the other hand, since it takes time to learn each theory, it might be necessary to delimit a course to some of the theories. In a handbook of university pedagogy Elmgren and Henriksson (2016), discuss the difference between deep and shallow learning strategies and in particular address the problems associated with shallow learning strategies. Confronted with a diversity of learning theory, some students could possible resort to shallow strategies. By that reason, it is of interest how to organize a course resting on a large knowledge base so that the students benefit from the diverse content of learning theories.