Session Information
15 SES 08 A, Partnership research in Erasmus+ projects
Paper Session
Contribution
Evaluating Erasmus Mundus Masters Learning in Preparing 21st Century Museum and Heritage Educators for Multicultural, Multidisciplinary, Multifaceted Practice.
Dr. Maggie McColl – Senior Lecturer Museum and Heritage Education and Programme Director International Master of Education in Museums and Heritage, University of Glasgow
Dr Elo-Hanna Seljamaa – Associate Professor of Estonian and Comparative Folklore at the University of Tartu, Institute of Cultural Research and Programme Director for Folkloristics and Applied Heritage Studies
Dr. Karl Borromaus Murr – Director of the State Textile and Industry Museum, Augsburg, President of the European Museum Academy and Visiting Lecturer Augsburg and Munich University
Dr. Henrik Zipsane – Managing Director of The European Museum Academy and Adjunct Professor at the University of Science and Technology in Meghalaya, India and guest professor at Linköping University
Julie Robinson – Lecturer in Museum Education and Pedagogy and Practice at The University of Glasgow
In this paper, the authors discuss their shared consortia objectives in designing and developing a structure and syllabus to support masters-level learning shaped by the European Commission’s Erasmus+ goal of ‘fostering excellence and worldwide internationalisation of higher education institutions’ (European Commission, online). The authors share the experiences of partners from The Universities of Glasgow, Tartu, County Cork, Malta, Radboud, Iberoamericana Mexico City and the European Museum Academy as they recall the process involved in creating a multidisciplinary degree to equip the next generation of museum and heritage professionals with the necessary skills to navigate a fast-evolving, economically and politically-challenged sector. The first part of this paper addresses the building of the consortium over several years to include a diverse range of international institutions and organisations already expert and active in the teaching of museum and heritage syllabi. The authors discuss the identification and mapping of museum and heritage education content across the five credit awarding partners (UofG, UT, UCC, UM & RU) and the embedding of practice based experience (EMA & UI) to support current and emerging museum and heritage themes evident on a global landscape. The authors place a spotlight on the collaborative process that enabled them to establish effective partnerships, while reflecting on the challenges and risks involved in these initial stages and how they were dealt with.
The second part of this paper is situated against the backdrop of Education in Museums and Heritage (EDUMaH) and its evolution from idea to successful 2022 European Commission application, garnering 5.4 million euros for 90+ students scholarships. With the first cohort of 23 students commencing their studies in September 2023, the authors outline the broad cultural profile of the first scholarship recipients and share the group’s initial intended hopes when applying to study EDUMaH. This baseline starting point will be explored alongside the same students’ reflective sense of where they have developed to at the end of their first year of study and their hopes for future development going forward. In particular, the authors will delve into the students’ perceived relevance of their accumulative knowledge and skill sets as a result of participation in EDUMaH in readying them for the future workplace. A key focus in the analysis of student perceptions will be the impact of partnership working on the part of the consortium to create a successful student experience.
The authors will share their evaluation of the students’ reflections in terms of their development as compared with the original learning objectives set out by the consortium at the design stage of the programme. These considerations will be used to imagine a way forward for this project and for similar partnerships in higher education.
Method
Ontology (the idea of reality) and epistemology (how we seek knowledge) guide the methodology and methods adopted for this study. An interpretivist paradigm is assumed to reflect the negotiable nature of knowledge within cultures, social settings and human relationships. A reflective approach is first used to revisit the original objectives agreed by the EDUMaH partners to establish the foundations of the programme, characterised by relevant international thematic content. Information extracted from the successful EDUMaH Erasmus+ application is presented and analysed alongside supplementary commentary from consortium partners. We will also revisit the earlier failed applications and reflect on the changes that were introduced in the process of reworking the proposal. The programme objectives will be considered in relation to key literature and policy, drawn from international sources with direct relevance to museum and heritage education theory and practice. In addition, with input from consortium partners, we will explore relevant national policy documents and concerns raised therein to assess the programme’s ability to address them. A combined wealth of academic knowledge and practice-based experience position the authors to explore and discuss decisions that informed the design and development of EDUMaH in considerable depth. The approach adopted will allow for strengths and challenges in the collaborative development process to be highlighted and shared. The second stage of the methodology identified for this study is focussed on the student perspective. Information from the students’ scholarship applications is used to present a starting point against which to explore the students’ perceptions of knowledge and skill accumulation at a more advanced stage of study. Quantative and qualitative analysis of students’ perceptions through the use of questionnaires, containing open-ended and closed questions are used to gather data from Erasmus Mundus EDUMaH students on their initial hopes as defined in their applications alongside their perceptions of how they have developed at a later stage in their academic journey. Student perceptions of the partnership aspect of their Erasmus Mundus study are explored to establish its influence on their educational experience. Finally, the partnership perspective as outlined in the first methodological stage is triangulated against the data gleaned from the second: the student perspective.
Expected Outcomes
The various stages of the research project outlined in this paper are intended as a means of evaluating the nature and effectiveness of the partnerships responsible for designing, developing and implementing the International Master of Education in Museums and Heritage Erasmus Mundus degree. By exploring and analysing the consortium partners’ intended objectives for students and the collaborative processes and approaches undertaken when developing the degree, the authors are able to create a reference point against which to compare the student perspective. The findings offer insights to partnership relationships and sense of ‘jointness’ at the developmental stage of designing an Erasmus Mundus Masters programme, including partnerships between formal and informal institutions i.e. universities, museums and heritage organisations. They also offer a lens through which to consider the reality of the Erasmus Mundus student experience and the experience of participating institutions as compared with a theoretical framework that has been shaped by academic and practice experts. Ultimately, the paper illuminates the strengths identified in the consortium partnership’s design and development of their Erasmus Mundus programme in terms of meeting the needs of the 21st century Museum and Heritage Education professional but it also identifies opportunities for improved partnership working, going forward.
References
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