Teacher as an Orchestrator in DV Production Projects
Author(s):
Conference:
ECER 2013
Format:
Paper

Session Information

27 SES 06 A, Teaching Arts and Techniques at Primary School

Paper Session

Time:
2013-09-11
15:30-17:00
Room:
A-204
Chair:
Monique Loquet

Contribution

Ever since the sociocultural approach has risen in educational sciences, research has focused on learning from the perspective of learner-centered active knowledge building in social settings instead of teaching. Consequently, the roles of teacher and learner have changed significantly. According to the sociocultural approach, a teacher in learner-centered practices is not a mere transmitter of knowledge in the classroom but is rather seen as a creator of specific quality of intermental system of learner community (Mercer, 2002) or an orchestrator of learning process, designing learning situations, and providing scripts (structures to guide group forming and learning) and scaffolding (real-time supportive guidance) to peer groups (Hämäläinen & Vähäsantanen, 2011). Nevertheless, Staarman and Mercer (2010) prefer to recognize the process of education in terms of the interactive process of ‘teaching-and-learning’ instead of separate processes. In this pedagogical process, spoken language is one of the most important cultural tools for joint meaning making between teacher and learners, as well as among peers.

However, research has revealed some shortcomings in classroom talk. Pupils rarely ask the teacher questions or challenge her or his explanations or interpretions (Staarman & Mercer 2010). In group work, discussions do not involve all group members, and most of talk is disputational, superficial and to modest extent cooperative by nature (Mercer, 2002). As far as teachers are concerned, they use too frequently closed-ended questions requiring short answers, and thereby limit learners’ contribution to the process which ought to be reciprocal and dialogical (Staarman & Mercer 2010). According to Nystrand and colleagues (2003), the nature of a teacher’s questions significantly regulates students’ contribution in the dialogue. Consequently, the way the teacher uses language constitutes situational and contextual roles.

Based on the previous, the teacher is in a key position in planning and orchestrating pedagogical activities in groups and whole-class situations. Thus, it is of interest to examine, in practice, what happens when teachers with their primary-aged learners conduct complex digital video (DV) production projects involving open-ended creative group tasks. In this kind of creative settings, the perspective of the teacher is an under-researched field (Kearney 2009).

This study, applying the sociocultural approach, aims to examine the roles of teachers orchestrating creative processing of small groups in the context of collaborative DV production projects. It is of interest to investigate the pedagogical models and scripts employed by the teachers. Additionally, the goal is to take a closer look at the strategies that the teachers use to encourage learners’ participation in the pedagogical dialogue. In general, the paper aims to discuss the nature of interaction between teachers and learners, as well as the new role of the teacher in this context. The following research questions were formulated:

  1. What kind of roles do teachers employ in the context of collaborative learner-generated DV production projects?
  2. How do teachers use language to regulate learners’ contribution in the dialogue during the DV projects?
  3. What kind of scripts do teachers employ in the DV projects?
  4. What kind of scaffolding of learning takes place in group activities?

Method

In a Finnish primary school, a multiple case study consisting of three digital video (DV) production projects was conducted. Learners, aged 10 - 12 years, planned, filmed and edited both fictional and documentary movies in small groups. (Author 2011.) The activities of the projects, spanning over three weeks each (a total of 16-24 hours per project), were video recorded. The projects involved 57 learners in two classes, 29 in grade 4 and 28 in grade 5, and, due to a co-teacher system, four teachers, as well. The DV projects were not specially designed for the study, in other words, no experiments were employed but the activities were regular for these teachers and learners. The video recorded discussions (50 hours total) were transcribed first in a rough manner and relevant sessions (10 hours) were transcribed in verbatim and annotated using NVivo9, a software allowing analysis of video data, as well. At the moment, the analysis focuses on classroom talk sessions involving teacher and learners who are investigated from the viewpoint of dialogical teaching (Alexander, 2005). The most relevant encounters are taken under deeper analysis, using either conversation or discourse analysis.

Expected Outcomes

The video recordings on the activities during the DV projects demonstrate many kinds of interaction encounters in various pedagogical settings, both whole-class instruction for task assignment, reviews and summaries, as well as small group activities scaffolded by the teachers. In design, the teachers had taken advantage of open access resources, such as ideas and videos. In two DV projects, the groups were formed freely, whereas in one, the teacher had assigned the group to be as heterogeneous as possible, as far as gender, ability, and character were concerned. The preliminary findings suggest that the teacher’s role is not dichotomic but it may vary on the scale of didactics over time, depending on the topic, situation and learners involved. In whole-class activities in which some off-task activities emerged, the classes still tended to behave in a teacher-driven manner and the teachers seem to have a prominent authority. On the contrary, during group activities the teachers gave space for peer interaction, though providing scaffolding in self-regulated problem solving. On the basis of these findings, further role analysis is of great interest.

References

Alexander, R. (2005) Culture, dialogue and learning: Notes on an emerging pedagogy. Keynot presented at the International Association for Cognitive Education and Psychology (IACEP) 10th international conference, University of Durham, UK. 10-14 June. Available at http://www.robinalexander.org.uk/docs/IACEP_paper_050612.pdf. Retrieved 20 January 2013. Hämäläinen, R. & Vähäsantanen, K. (2011). Theoretical and pedagogical perpectives on orchestrating creativity and collaborative learning. Educational Research Review, 6 (3) 169-184. Kearney, M. D. (2009). ‘Towards a learning design for student-generated digital storytelling’. In S. Bennett, S. Agostinho & L. Lockyer (Eds.) Proceedings of The Future of Learning Design conference, University of Wollongong, pp. 25-39. Available at http://ro.uow.edu.au/fld/09/Program/4/ Retrieved 12 January 2013. Mercer, N. (2002) Developing Dialogues. In G. Wells and G. Claxton (Eds.) Learning for Life in the 21st Century: Sociocultural Perspectives on the Future of Education (pp. 141-153). Oxford, UK: Blackwell Publishing. Nystrand, M., Wu, L., Gamorgan, A., Zeiser, S. & Long, D. (2003) Questions in time: Investigating the structure and dynamics of unfolding classroom discourse. Discourse Processes, 35(2), 135–198. Staarman, J. K., & Mercer, N. (2010). The guided construction of knowledge: Talk between teachers and students. In K. Littleton, C. Wood, & J.K. Staarman (Eds.) International handbook of psychology in education. Bingley, UK: Emerald. (pp. 75-104).

Author Information

Laura Palmgren-Neuvonen (presenting / submitting)
University of Oulu, Finland
University of Oulu, Finland

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